After making two basic nine-patch quilts, it was time to start making slightly more complicated quilts. I began asking people what they wanted, while cleverly steering potential recipients away from the Baltimore Album quilts (translation for non-quilters -- LOTS of very difficult applique). Here's one I did for my aunt, who sensibly asked for a Trip Around The World in traditional Amish solid fabrics:
Next up, a quilt for Coffee Jones. These photos show it on our bed here at Harmony; its natural habitat chez Jones is uber-modern.
I had collected over 100 blue-and-white prints before even starting to sew this! (It's her signature color.) Then, on a quilt-shop-hopping trip through Tennessee, I saw a "Yellow Brick Road" quilt done entirely in blue-and-white prints. Perfect for CJ, I figured. I had the pattern already, so I got started putting together all the blocks. That's right -- there are blocks for this quilt, but they are constructed so that you shouldn't easily be able to spot them. And, no, there aren't 100 prints here -- not all blues have the same sort of tonality; I used the cobalt-based blues, leaving the periwinkles and turquoises for another day.
I will say, there are fewer construction mistakes on this quilt than its predecessors, but the quilting has some glitches. {cough cough} [If you need the white-on-white quilting on the border redone, CJ, just let me know!] I am truly honored that decorating decisions have been made with this quilt as their bedroom's focal point. How cool is that?
And now for something rather different. This is a flannel lap quilt I designed myself specifically to showcase the lovely folk art prints. I did this for my sister's 60th birthday; both pictures were taken by my neighbor, George, because I was literally still whipstitching the binding on, in a mad rush to make the last post on the Saturday before her birthday!
And yes, that's me sewing away madly to get the thing done. I did get to the post office with about 5 minutes to spare. There are some construction mistakes on this quilt, as I recall, and the quilting isn't spectacular, but for my first effort at designing a quilt, I'm satisfied.
The next post will be Quilting 201 -- the sixth quilt I made wasn't any harder to put together, but my skills were improving and I think that shows. Also, I did take photos of the quilt in process, as well of the quilt when it was done. So, you'll get to see what making a quilt looks like, from fabric selection through the final product.
That will be the last quilt post for a week or more -- I stupidly gave away my most recent quilt upon completion without taking pictures of it, but we're going to visit it next weekend. We'll take pictures, I promise.
Oh, and I'm feeling guilty about not identifying the quilt designers appropriately. The two quilts I made first, "There's {a Dog} {Two Cats} on My Quilt," were designed by Billy Lauder, who is featured at EasyMade. The Trip Around The World pattern is traditional, but I did use a book, The Simply Joys of Quilting (30 Timeless Quilt Projects) by Joan Hanson & Mary Hickey, for help with piecing and constuction. There is also an Eleanor Burns book from the "Quilt in a Day" series: Trip Around the World Quilt, although I'm pretty sure I didn't use it for my aunt's quilt. Finally, the Yellow Brick Road pattern is by Terry Atkinson, of Atkinson Designs. Now I have to find the freebie quilt pamplet I got that has the pattern for Zach's quilt . . . eek! It's in the "could be anywhere" category...
The folk art prints are by far my favorite. Where do you find all your fabric? I have been wanting to make a quilt like that for a long time. Thanks for your help!
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